ABSTRACT
In the world of theatrical design, a solid concept statement is a key to concisely summarizing how the vision relates to the world of the play and the story the production team is telling. Conversely, some will find the ability to design with less constraint, at least in terms of textiles, to be a freeing one that stretches artistry and storytelling to a new level. Serving the needs of the production or staying true to the concept or theme is imperative in successful digital textile design by avoiding art for art’s sake and perhaps providing depth and sophistication to a piece. According to Costume Design and Technology Professor Jessica Hansen, one of the challenges in printing for Victoria was color saturation; it was difficult to color match between the screen, the printed paper, and the final sublimated fabric. The challenge was to create that image without dulling down its charm in shape and texture.
