ABSTRACT

Percy Bysshe Shelley (1792–1822) was one of the major Romantic poets and wrote what is critically recognised as some of the finest lyric poetry in the English Language. In this volume, the editors have selected the most popular, significant and frequently taught poems from the six-volume Longman Annotated edition of Shelley’s poems. Each poem is fully annotated, explained and contextualised, along with a comprehensive list of abbreviations, an inclusive bibliography of material relating to the text and interpretation of Shelley’s poetry, plus an extensive chronology of Shelley’s life and works. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary for an informed reading of Shelley’s richly varied and densely allusive verse, making this an ideal anthology for students, classroom use, and anyone approaching Shelley’s poetry for the first time; however the level and extent of commentary and annotation will also be of great value for researchers and critics.

chapter 1|1 pages

Stanzas. — April, 1814

chapter 2|2 pages

‘O! there are spirits of the air’

chapter 3|1 pages

To Wordsworth

chapter 4|1 pages

Mutability

chapter 5|28 pages

Alastor; or, The Spirit of Solitude

chapter 7|8 pages

Hymn to Intellectual Beauty

chapter 9|4 pages

Ozymandias

chapter 12|2 pages

The Two Spirits. An Allegory

chapter 15|177 pages

Prometheus Unbound

chapter 16|37 pages

Julian and Maddalo: A Conversation

chapter 17|3 pages

To Night

chapter 18|32 pages

The Mask of Anarchy

chapter 19|5 pages

Ode to Heaven

chapter 20|3 pages

To S[idmouth] and C[astlereagh]

chapter 21|3 pages

England in 1819

chapter 22|11 pages

Ode to the West Wind

chapter 24|4 pages

Love's Philosophy

chapter 25|2 pages

‘Thou art fair, and few are fairer’

chapter 27|3 pages

On a Dead Violet: To — —

chapter 28|2 pages

Goodnight

chapter 30|2 pages

An Exhortation

chapter 31|3 pages

Song

To the Men of England

chapter 33|27 pages

The Sensitive-Plant

chapter 34|2 pages

To —— [Lines to a Reviewer]

chapter 35|5 pages

‘Arethusa arose’

chapter 36|2 pages

‘Arethusa was a maiden’

chapter 38|2 pages

Song (‘Rarely, rarely comest thou’)

chapter 39|2 pages

Song of Apollo

chapter 40|2 pages

Song of Pan

chapter 41|9 pages

The Cloud

chapter 42|3 pages

Evening. Ponte a Mare, Pisa

chapter 43|33 pages

Letter to Maria Gisborne

chapter 44|9 pages

To a Sky-Lark

chapter 45|5 pages

To —— [the Lord Chancellor]

chapter 46|3 pages

To ——[Lines to a Critic]

chapter 47|60 pages

The Witch of Atlas

chapter 48|7 pages

Sonnet: Political Greatness

chapter 50|4 pages

‘Rose leaves, when the rose is dead’

[To —— (‘Music, when soft voices die’)]

chapter 51|52 pages

Epipsychidion

chapter 52|2 pages

A Lament (‘O World, O Life, O Time’)

chapter 53|3 pages

‘When passion's trance is overpast’

chapter 54|89 pages

Adonais

chapter 55|3 pages

The Aziola

chapter 57|5 pages

The Indian Girl's Song

chapter 58|4 pages

Autumn: a Dirge

chapter 59|2 pages

‘The flower that smiles today’

[Mutability]

chapter 61|1 pages

‘Art thou pale for weariness’

chapter 63|6 pages

To Jane. The invitation

chapter 64|5 pages

To Jane—The Recollection

chapter 66|6 pages

‘When the lamp is shattered’ [Lines]

chapter 67|2 pages

‘One word is too often profaned’

[To——]

chapter 68|11 pages

With a Guitar. To Jane

chapter 69|8 pages

The magnetic lady to her patient

chapter 70|83 pages

The Triumph of Life

chapter 72|12 pages

‘Bright wanderer, fair coquette of heaven’

[Lines Written in the Bay of Lerici]