ABSTRACT
In contrast to the conventional theories of signs, which provide for the features of signs in light of the correspondence between the sign and its referent, this chapter proposes a theory of signs as provided by the work of designing a notational system. It outlines the theories of the sign-relation held by C. W. Morris, C. J. Ducasse, John Wild, and Alfred Schutz. The chapter shows that a correspondence theory of meaning underlies each of these theories. It demonstrates that the sign vehicle, as well as the designers, are missing from such an account of the sign-relation. The chapter also shows that construction of correspondence is situated work. In the provision for meaning as corresponding to the referent, each theorist provides an essentially triadic formulation consisting of the interpreter-sign-referent. The notational system is constructed in light of the presence of the ways of paper-typewriter to the designer's work.
