ABSTRACT
Policy has tightened in the past year, and political performances have finally begun to cause the reaction that artists originally intended. It began with Aleksander Brener in the 1990s, who in every way needed a public scandal and the involvement of the authorities. The strategy of radical performance art can be criticized from different sides. Today's generation is in a state of some kind of formation. A similar phenomenon can be seen in the art of Moscow Conceptualism, where the use of props became the leitmotif. It was Yurii Leiderman who first said, 'props, props'. The inauthenticity of life was the main topic of Ilya Kabakov. The insights of the art group Medical Hermeneutics were expressed in the images of hallucination and fantasy. Russia is not a failed state. The term 'governance' describes the social contract in the modern world, but one cannot find this word in the Russian constitution.
