ABSTRACT
A substantive historiographical as well as introductory essay to this issue in honour of Passerini’s important scholarship, the article highlights such themes as subjectivity and intersubjectivity; transformations in oral history and memory studies prompted2 by attention to such issues as the role of myth, collaboration, autobiography, and the imaginary. It documents Passerini’s early reception among feminist and labour historians; the collaborations researching trauma and memory under totalitarianism; her Autobiography of a Generation: Italy, 1968, and work on love and on redefining Europe in more inclusive ways. It also situates the application of Passerini’s insights by an international and multidisciplinary line-up of scholars working on diverse projects.
