ABSTRACT
Ekphrasis in The Fairy Queen performs both a critical and corrective role in response to ancient and Renaissance literature and iconography. The traditional ekphrases of the poem, encountered in immoral and dangerous places, are inspired by classical literature and mythology. Those suspect works of art combine images of love with images of violence, evoking a relationship between vision, desire and transgression. In Spenser's iconoclastic treatment of ekphrasis both traditional art and love are considered idolatrous. Indeed, Spenser juxtaposes the descriptions of dangerous works of art with an empty and blinding shield, which destroys idols and counterfeits. Arthur's bright mirror-shield creates an alternative to the mimesis effected by the works of art. In the creation of this paradoxical shield whose light blinds and whose magic exposes all magic, Spenser explores the relations between mimesis, art and idolatry, between history, epic poetry and praise.
