ABSTRACT

Writing Hollywood highlights the writing process in the production of television drama and comedy series in the U.S. The way writers do their jobs is heavily dependent not only on the demands of commercial business, but also on the uncertainties inherent in a writing career in Hollywood. Drawing on literature in the fields of Media Industry Studies and Occupational Culture, Writing Hollywood explains writers’ efforts to control risk and survive in a constantly changing environment.

Using data from personal interviews and a six-week participant observation at a prime time drama, Dr. Phalen analyzes the relationships among writers in series television, describes the interactions between writers and studio/network executives, and explains how endogenous and exogenous pressures affect the occupational culture of the television writing profession.

chapter 1|11 pages

Entertainment Media in the U.S.

chapter 2|16 pages

Writing for TV

chapter 3|17 pages

Showrunners

Where the Buck Stops

chapter 4|15 pages

The Writers’ Room

chapter 5|14 pages

Occupational Culture

chapter 6|15 pages

Managed Creativity

It’s a Weird Way to Create

chapter 7|14 pages

Political Spaces

There Are No Rules, but You Have to Follow Every One

chapter |2 pages

Epilogue