ABSTRACT
Writing is typically perceived by outsiders as a singular exercise, perhaps even a lonely profession. This is undoubtedly true for writers of novels and feature films, but the writing process for television creates a different culture - one that is inherently paradoxical. While television writers may not use exactly the same language to express their assumptions, there are many consistencies in the way they describe their work. Writers often describe the writers' room as a sacred space. They explain that the common prohibition against non-writers joining the room is central to preserving the room's creative environment. There are so many variables that come into play that it is virtually impossible to predict the success or failure of popular entertainment. This also applies to predicting which writers and scripts will succeed and which will not. While luck and good timing help, writers have to be ready when opportunities arise, because these opportunities may not present themselves again.
