ABSTRACT

Redeeming Beauty explores the richness of orthodox Christian tradition, both Western and Eastern, in matters of 'sacral aesthetics' - a term used to denote the foundations, production and experience of religiously relevant beauty. Aidan Nichols investigates five principal themes: the foundation of beauty in the natural order through divine creative action; explicitly 'evangelical' beauty as a quality of biblical revelation and notably at its climax in Christ; the legitimacy of making and venerating artworks; qualities of the self in relation to objective presentation of the religiously beautiful; and the difficulties of practising a sacral aesthetic, whether as producer or consumer, in an epoch when the visual arts themselves have left behind not only Church but for the greater part the public as well. The thought of theologians such as Augustine, Aquinas, Balthasar, Ratzinger, Bulgakov, Maritain and others are explored.

part 1|49 pages

Foundations, in Creation and Grace

chapter Chapter 1|16 pages

Aesthetics in Augustine and Aquinas

chapter Chapter 2|31 pages

The Origin and Crisis of Christian Art

part 2|51 pages

Twentieth-Century Theologians of the Image

chapter Chapter 3|17 pages

Hans Urs von Balthasar on Art as Redemptive Beauty

chapter Chapter 4|18 pages

Sergei Bulgakov on the Art of the Icon

chapter Chapter 5|13 pages

Benedict XVI on Holy Images

part 3|47 pages

The Difficulties of Practice

chapter Chapter 6|19 pages

The French Dominicans and the Journal L′Art sacré

chapter Chapter 8|7 pages

Conclusion: Christ and the Muses