Kent Cartwright (1998), 'The Confusions of Gallathea: John Lyly as Popular Dramatist', Comparative Drama, 32, pp. 207–39.
Kinney, ed., Markets ~f Bawdrie: The Dramatic Criticism of Stephen Gosson (Salzburg: Institut ftir Englische Sprache und Literatur, Universitiit Salzburg, 1974).
w For the view that fantasy and wish-fulfillment were important to playhouse drama, see Thomas Carte IIi, Marlowe, Shakespeare, and the Economy ~f Theatrical Experience (Philadelphia: University of Pennsylvania Press, 1991 ), esp. I 0-64. On the tastes of London audiences, see Gurr, Playgoing in Shakespeare's London, 115-90.