ABSTRACT
Compiled by art historians, literary scholars, musicologists, and historians, this essay collection is an innovative and interdisciplinary study of Queen Henrietta Maria and her multi-faceted roles and responsibilities. Elements of the queen's popular biography - her European identity and devout Catholic faith - are only a part of the backdrop against which Henrietta Maria is re-considered. Drawing on the expertise of an international group of scholars from different disciplines, these essays explore and shed new light on the Queen's various roles: a patron of performing and visual arts with taste and influence comparable to her husband's, her salient political position between the French and English courts, and her political sentiments at the outbreak of the English Civil War. Through cutting-edge archival research that includes investigations into household accounts and personal correspondence, this collection ultimately presents a new assessment of female power and influence at the early modern court. What becomes strikingly evident is that Henrietta Maria had a distinct and profound influence on material and political culture that deserves the attention of art history, literature, theatre, and musicology scholars.
