ABSTRACT

This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book contributes to the rehabilitation of Greek art music, especially beyond Greece, since much of the information. It explores the ways in which this particular musical tradition, neglected for so long, has contributed to the definition and consolidation of Modern Greek national identity. The book also explores the mechanisms whereby the musical heritage of the Orthodox Church was overhauled and re-examined during the nineteenth century. It focuses on efforts in Greece to create a tradition of ‘National Music’ in the manner of the art music traditions of other countries, particularly in Eastern Europe. The book examines Nikos Skalkottas’s small output of songs, all set to words by the minor poet and novelist ‘Chr. Esperas’, the literary pseudonym of member of parliament and future government minister Chrysos Evelpidis.