ABSTRACT

Since the nation-state sprang into being in 1965, Singapore literature in English has blossomed energetically, and yet there have been few books focusing on contextualizing and analyzing Singapore literature despite the increasing international attention garnered by Singaporean writers. This volume brings Anglophone Singapore literature to a wider global audience for the first time, embedding it more closely within literary developments worldwide. Drawing upon postcolonial studies, Singapore studies, and critical discussions in transnationalism and globalization, essays unearth and introduce neglected writers, cast new light on established writers, and examine texts in relation to their specific Singaporean local-historical contexts while also engaging with contemporary issues in Singapore society. Singaporean writers are producing work informed by debates and trends in queer studies, feminism, multiculturalism and social justice -- work which urgently calls for scholarly engagement. This groundbreaking collection of essays aims to set new directions for further scholarship in this exciting and various body of writing from a place that, despite being just a small ‘red dot’ on the global map, has much to say to scholars and students worldwide interested in issues of nationalism, diaspora, cosmopolitanism, neoliberalism, immigration, urban space, as well as literary form and content. This book brings Singapore literature and literary criticism into greater global legibility and charts pathways for future developments.

chapter |18 pages

Introduction

Singapore Literature in English

section |78 pages

Section I

chapter 1|23 pages

We who have no country but our century

Wong May, Singapore-Stateless Poet 1

chapter 2|18 pages

‘A Kind of Pursuit’

On Boey Kim Cheng’s Poetry

chapter 3|20 pages

A Luxury We Cannot Afford

The Poetry of Yong Shu Hoong, Toh Hsien Min, and Boey Kim Cheng

chapter 4|15 pages

A City Without a Nation

Personal and Collective Memory in the Fiction of Gopal Baratham

section |82 pages

Section II

chapter 5|15 pages

The Social Life of Genres

Short Stories as a Singapore Form

chapter 6|21 pages

Of Language and Beyond

Enoch Ng Kwang Cheng, firstfruits, and Singapore Literature

chapter 7|18 pages

Singaporean Literature and Global Modernism

Wang Gungwu, Lloyd Fernando, Lydia Kwa

chapter 8|26 pages

‘Leeet lor’

Singapore Plays as Drama

section |106 pages

Section III

chapter 10|19 pages

Strangers, Surrogates, Lovers

Foreign Domestic Workers in Contemporary Singapore Texts

chapter 11|20 pages

In Praise of Failed Men (and the Woman Writer)

Gender Politics in the Singapore Novel

chapter 12|19 pages

Singapore as Strategic Location

Setting and Positionality in Goh Poh Seng’s If We Dream Too Long and Lydia Kwa’s Pulse

chapter 13|28 pages

Burning in Your Hands

Singapore’s Queer Literary Tradition