ABSTRACT

In the era of the Anthropocene, artists and scientists are facing a new paradigm in their attempts to represent nature. Seven chapters, which focus on art from 1780 to the present that engages with Nordic landscapes, argue that a number of artists in this period work in the intersection between art, science, and media technologies to examine the human impact on these landscapes and question the blurred boundaries between nature and the human. Canadian artists such as Lawren Harris and Geronimo Inutiq are considered alongside artists from Scandinavia and Iceland such as J.C. Dahl, Eija-Liisa Ahtila, Toril Johannessen, and Björk.

chapter |11 pages

Introduction: Artistic Visions of the Anthropocene North

Climate Change and Nature in Art

part I|43 pages

Interaction between Art and Science

chapter 1|26 pages

Anthropocene Beginnings

Entanglements of Art and Science in Danish Art and Archaeology 1780–1840

chapter 2|15 pages

A Montage of Notes from Svalbard

Mediating the Arctic through Artistic Research

part II|37 pages

Changing Narratives of the Anthropocene and the North

chapter 3|17 pages

Northern Landscape and the Anthropocene

A Long View

chapter 4|18 pages

“We All Have to Live by What We Know”

Activating Memoryscapes in the North Baffin Inuit Drawing Collection to Understand Arctic Environmental Change

part III|59 pages

Media and Blurred Boundaries between Nature and the Human

chapter 6|18 pages

Toril Johannessen’s In Search of Iceland Spar

Truth and Illusion in the Anthropocene

chapter 7|26 pages

From within the Porous Body

Modes of Engagement in Björk’s Biophilia Album