ABSTRACT
This conclusion presents some closing thoughts on the concepts discussed in the preceding chapters of this book. The book presents the collective radical past of the queer communities. It helps the readers— especially younger LGBTQ+ readers—what G. B. Jones, Bruce LaBruce and the queercore artists. The book introduces queercore artists to wild perspectives and visions. It dicusses that it encourages them to seek out new artifacts and to listen to voices beyond the status quo. The book describes that it intoxicates queercore artists with the possibilities of refusal and rebellion. It considers that it inspires queercore artists to make some queer(core) mischief of their own. Queercore still exists today, evident in the work of artists as diverse as queer black zinester Osa Atoe, transgender firestarters GLOSS and "human pissoir" CHRISTEENE. The book analyses the dissertation— sex, imagined violence and unruly bodies— speak to the subversive politics and pleasures.
