ABSTRACT

Yellowstone. Sacagawea. Lewis & Clark. Transcontinental railroad. Indians as college mascots. All are iconic figures, symbols of the West in the Anglo-American imagination. Well-known cultural critic Norman Denzin interrogates each of these icons for their cultural meaning in this finely woven work. Part autoethnography, part historical narrative, part art criticism, part cultural theory, Denzin creates a postmodern bricolage of images, staged dramas, quotations, reminiscences and stories that strike to the essence of the American dream and the shattered dreams of the peoples it subjugated.

part 1|70 pages

Mythic Native Americans and the New/Old West

chapter 1|9 pages

Searching for Yellowstone I

chapter 2|8 pages

Indians and Cowboys 1

chapter 3|22 pages

Indians in the Park

part 2|95 pages

Yellowstone Park and Lewis and Clark, Circa 2006

chapter 6|23 pages

Drawn to Yellowstone I 1

Jay Cooke's Railroad and Thomas Moran's Grand Canyon of the Yellowstone

chapter 7|15 pages

Drawn to Yellowstone II

Crazy Mule's Map, Geysers, Coca-Cola, and Other Fragments

chapter 8|21 pages

Retire the Chief, Keep the Indians 1

part 3|36 pages

The New West, Memory, and the Author's Family

chapter 10|10 pages

Coda