ABSTRACT

Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005.

The collection of essays is organized into six sections:

  • Property and Rights
  • Applied Practice
  • Knowledge and Agency
  • Community and Social Space
  • Embodiment and Cognition
  • Curating Sound

Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.

chapter |14 pages

Introduction

Redesigning and Redefining Ethnomusicology

part I|50 pages

Intellectual Property and Cultural Rights

chapter 1|18 pages

Performing Protocol

Indigenous Traditional Knowledge as/and Intellectual Property

chapter 2|18 pages

“Justice with My Own Hands”

The Serious Play of Piracy in Bolivian Indigenous Music Videos

part II|59 pages

Applied Practice

chapter 4|13 pages

From Neutrality to Praxis

The Shifting Politics of Ethnomusicology in the Contemporary World

chapter 5|16 pages

The Ethnomusicologist at the Rock Face

Reflections on Working at the Nexus of Music and Mining

chapter 6|14 pages

Social Shifts and Viable Musical Futures

The Case of Cambodian Smot 1

part III|70 pages

Knowledge and Agency

chapter 8|13 pages

Birdsong and a Song about a Bird

Popular Music and the Mediation of Traditional Ecological Knowledge in Northeastern Brazil

chapter 11|14 pages

Music and Non-Human Agency

part IV|51 pages

Community and Social Space

chapter 12|14 pages

Rethinking the Urban Community

(Re)Mapping Musical Processes and Places

chapter 14|15 pages

Soundscapes of Pilgrimage

European and American Christians in Jerusalem’s Old City

part V|59 pages

Embodiment and Cognition

chapter 16|22 pages

Speaking with the Body in Nigerian and Cuban Orisha Music

Musical Movements in Song, Dance, and Trance

chapter 17|16 pages

Gaming the System

Gender Performance in Dance Central

part VI|24 pages

Curating Sound

chapter 18|11 pages

Preserving the Past, Activating the Future

Collaborative Archiving in Ethnomusicology

chapter 19|10 pages

“Curating Sound Is Impossible” 1

Views from the Streets, Galleries, and Rainforests