ABSTRACT

First published in 1989, this is the third of three volumes exploring the changing notions of patriotism in British life from the thirteenth century to the late twentieth century and constitutes an attempt to come to terms with the power of the national idea through a historically informed critique.

This volume studies some of the leading figures of national myth, such as Britannia and John Bull. One group of essays looks at the idea of distinctively national landscape and the ways in which it corresponds to notions of social order. A chapter on the poetry of Edmund Spenser explores metaphorical representations of Britain as a walled garden, and the idea of an enchanted national space is taken up in a series of essays on literature, theatre and cinema. An introductory piece charts some of the startling changes in the image of national character, from the seventeenth-century notion of the English as the most melancholy people in Europe, to the more uncertain and conflicting images of today.

part |2 pages

National gallery

chapter 1|23 pages

John Bull

chapter 2|24 pages

Britannia

chapter 3|14 pages

Old soldiers

chapter 4|8 pages

Pearly kings and queens

chapter 5|15 pages

Britain’s royal romance

part |2 pages

Music

chapter 7|24 pages

Calypso and reggae

part |2 pages

Landscape

chapter 8|16 pages

Village school or blackboard jungle?

chapter 9|19 pages

The liberty of the park

chapter 10|27 pages

‘Constable country’ between the wars

part |2 pages

Literature

chapter 11|10 pages

Conrad and England

chapter 13|12 pages

Kipling and masculinity

chapter 14|6 pages

Orwell revisited

chapter 15|8 pages

George Smiley and post-imperial nostalgia

part |2 pages

Theatre

chapter 17|10 pages

Penny plain, tuppence coloured

chapter 18|11 pages

Doing the Lambeth Walk

part |2 pages

Cinema

chapter 19|12 pages

Docklands Dickens