ABSTRACT

In Sex in the Head, Linda Ruth Williams uses psychoanalysis and recent feminist film theory to analyze a network of ideas which link looking with sexuality and difference, in the work of a writer who disavowed, yet covertly enjoyed, the pleasures and power of vision. The book is a departure from the long history of feminist readings of Lawrence, in that it discusses his engagement with theories of the gaze and its cultural forms - cinema, photography, painting and the visual dynamics and metaphors of literary texts - as a way of thinking through gender. It shows him arguing, on the one hand, against the evils of cinema and visual sex, while relishing, through the eyes of women, the moving spectacle of those male bodies which populate the pages of his books. It also questions what it is about the work of such an adamant cinephobe which has made it so thoroughly adaptable for film and television.

chapter |18 pages

Introduction

Lawrence, cinema and female spectatorship

chapter Chapter 1|21 pages

The blindness of the seeing eye

Visual vices and dark virtues in Lawrence

chapter Chapter 2|31 pages

‘… my eyes are like hooks …’

Sadism and the female gaze

chapter Chapter 3|31 pages

Putting on his glory

Lawrence's male spectacles

chapter Chapter 4|21 pages

The pornographic gaze

and the case of Lady Chatterley

chapter Chapter 5|27 pages

On being a girl

Lawrence-against-himself