ABSTRACT
The most interesting result of the theory, however, is the light it throws on the relation of architecture to sculpture. . . .
The two art forms are, in fact, each other’s exact complements: the one, an illusion of kinetic volume, symbolizing the Self, or center of life-the other, an illusion of ethnic domain, or the environment created by Selfhood. Each articulates one half of the life-symbol directly and the other by implication; whichever we start with, the other is its background.
