ABSTRACT

Keywords in Remix Studies consists of twenty-four chapters authored by researchers who share interests in remix studies and remix culture throughout the arts and humanities. The essays reflect on the critical, historical and theoretical lineage of remix to the technological production that makes contemporary forms of communication and creativity possible. Remix enjoys international attention as it continues to become a paradigm of reference across many disciplines, due in part to its interdisciplinary nature as an unexpectedly fragmented approach and method useful in various fields to expand specific research interests. The focus on a specific keyword for each essay enables contributors to expose culture and society’s inconclusive relation with the creative process, and questions assumptions about authorship, plagiarism and originality. Keywords in Remix Studies is a resource for scholars, including researchers, practitioners, lecturers and students, interested in some or all aspects of remix studies. It can be a reference manual and introductory resource, as well as a teaching tool across the humanities and social sciences.

chapter |13 pages

Introduction

chapter 1|9 pages

Appropriation

chapter 2|10 pages

Archive

chapter 3|10 pages

Authorship

chapter 4|13 pages

Bricolage

chapter 5|11 pages

Collaborative

chapter 6|16 pages

Consumerism

chapter 7|9 pages

Copyright/Fair Use

chapter 8|12 pages

Creativity

chapter 9|11 pages

Cut-up

chapter 10|10 pages

Deconstruction

chapter 11|10 pages

DIY Culture

chapter 12|12 pages

Fan Culture

chapter 13|11 pages

Feminism

chapter 14|10 pages

Intellectual Property

chapter 15|10 pages

Jazz

chapter 16|10 pages

Location

chapter 17|14 pages

Mashup

chapter 18|15 pages

Memes

chapter 19|13 pages

Parody

chapter 21|13 pages

Remix

chapter 22|14 pages

Sampling

chapter 23|10 pages

Transformative

chapter 24|10 pages

Versioning