ABSTRACT

The processes of imperialism express, in representation, white identities. These are forged from the roles and functions of white people in imperialism and the qualities of character that performing them is held to require and call forth. When a text is one of celebration, it is the manly white qualities of expansiveness, enterprise, courage and control (of self and others) that are in the foreground; but when doubt and uncertainty creep in, women begin to take centre stage. The white male spirit achieves and maintains empire; the white female soul is associated with its demise.