ABSTRACT
This chapter build upon geographical analyses of the role of humour in the production of space and place by excavating the affective elements of the Chat Noirs urban ethos. It analyses the distinctive ways in which its creative experiments sought to create a new style of urban living and to engineer a novel affective experience of urban place. The chapter contributes to an understanding of the social role of humour in producing space, place and landscape. In 1884 a poster for the municipal elections could be seen displayed throughout Montmartre. The day has finally come, it announced, when Montmartre can and must claim its rights of autonomy against the rest of Paris Montmartre is wealthy enough in finance, art and spirit to lead its own life. Drawing on Montmartres historical association with the martyrdom of Saint Denis, Salis habitually referred to Montmartre ironically as the holy city, announced his rejection of religion and all forms of traditional authority.
