ABSTRACT
Rory Foster’s I Write, and You Read (2014) can be broadly described as an installation-performance piece that incorporates intermedial elements. 1 The work, the artist discusses, is an interrogation of how installation art principles can be used as a platform to explore dramaturgical modes of presentation, particularly stressing notions of interactivity and the creation of haptic environments, defined here as that activation of the whole human sensorium.
