ABSTRACT

First published in 2009, this book investigates the cultural significance of nineteenth-century women’s writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary writing, it assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. It also considers women as writers, readers and subjects and demonstrates ways in which women could become performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood.

This book will be of interest to those studying 19th century literature and women in literature.

chapter |6 pages

Introduction: Performing to Strangers

part |2 pages

Part 1 The Diary Model

chapter 1|16 pages

The Diary in the Nineteenth Century

chapter 3|18 pages

The Diary in Print

part |2 pages

Part 2 The Diary and Literary Production

chapter 4|22 pages

The Diary and Women Writers

chapter 5|20 pages

The Diary and the Epistolary Form

chapter 6|18 pages

The Diary and Serial Narrative

chapter 7|16 pages

The Diary and the Documentary

chapter 8|20 pages

The Diary and Sensation Fiction

part |2 pages

Part 3 The Diary as Narrative

chapter 9|28 pages

The Diary Narrating the Novel