ABSTRACT
This chapter focuses on the similarities between Simmel and pragmatism with respect to two central aspects: the rejection of building a general theory, synthesis or system, and the inclusion of art. Although it is impossible to determine to what extent Goffman relied on these thinkers in relation to particular aspects, an argument can be made for his having drawn not only on Simmel but on pragmatists such as James and Dewey too. Despite the fact that the influence of Simmel is of much greater importance than that of pragmatism, Goffman also took from James and Dewey the general critique of monistic viewpoints and the concomitant acceptance of a pluralist standpoint that included the incorporation of art. The influence of American pragmatism is fourfold. It starts with the critique of metaphysics, follows with their pluralist standpoint, continues with the theoretical substantiation of social interaction, and finishes with the incorporation of art.
