ABSTRACT
Given Barbara Rosenwein’s prolific scholarship on the history of emotions, it is fitting that many of the chapters in this volume are devoted to that subject. While Barbara’s work in this field is impressively wide-ranging, the chapters in this section broaden the scope of the history of emotions even further by demonstrating that the subject is applicable to primary source material in areas as diverse as music history, art history, legal history, and hagiographic studies.
