ABSTRACT

Blockbuster exhibitions are ubiquitous fixtures in the cultural calendars of major museums and galleries worldwide. The Rise of the Must-See Exhibition charts their ascent across a diverse array of museums and galleries. The book positions these exhibits in the Australian cultural context, demonstrating how policy developments and historical precedents have created a space for their current domination.

Drawing on historical evidence, policy documents and contemporary debates, the book offers a complex analysis of the aims and motivations of blockbuster exhibitions. Its chronological approach reveals a genealogy of exhibits from the mid-nineteenth century onward to identify precursors to current practice. This provides a foundation upon which to examine the unprecedented growth of blockbusters in the latter half of the twentieth century. The examples discussed offer a unique opportunity to study how institutional growth, political support, individual champions and audience interest have influenced the development of large-scale temporary exhibitions.

The Rise of the Must-See Exhibition considers blockbusters as an international phenomenon and, as such, is highly relevant to practitioners working across the cultural sector around the world. The book will also appeal to academics and students engaged in the study of museums and galleries, arts management and curating, as well as those interested in the history of exhibitions and cultural policy.

chapter |12 pages

Introduction

part I|1 pages

Laying the foundationsCulture, spectacle, exhibitions, 1850s–1940s

chapter 1|25 pages

International expositions

Social, scientific and spectacular

part II|1 pages

The rise of the blockbuster, 1950s–1990s

chapter 3|23 pages

In the national interest

The growing role of government support

chapter 4|22 pages

Building capacity and professionalism

Confident cultural leadership fortifies the blockbuster

part III|1 pages

Blockbuster or bustThe necessity of the blockbuster in the twenty-first century

chapter 5|23 pages

Relinquishing the national

State support and competition

chapter 6|26 pages

Global buy-ins and blockbuster tropes

chapter |6 pages

Epilogue