ABSTRACT

Embroidered mirror frames became popular luxury items in England between 1660 and 1680. Whilst some elite households had embroidered mirrors earlier in the seventeenth century, most extant examples date from the Restoration (Gerstenecker 2008, 216). Although it is often difficult to differentiate professional and non-professional work, looking-glasses like that considered in this case study often seem to have been wrought domestically by young women from the upper and gentry classes towards the end of their needlework education (Cora Ginsburg 2006, 13). Designed to stand upon a table, this example showcases the maker’s skill, working commonly embroidered images in three-dimensional raised work, characteristic of the period. The grass demonstrates particular virtuosity, creating different textures with diverse techniques and materials, including chenille, purl, and overtwisted silk.