ABSTRACT

Form, Art and the Environment: Engaging in Sustainability adopts a pluralistic perspective of environmental artistic processes in order to examine the contributions of the arts in promoting sustainable development and culture at a grassroots level and its potential as a catalyst for social change and awareness.

This book investigates how community arts, environmental creativity, and the changing role of artists in the Polis contribute to the goal of a sustainable future from a number of interdisciplinary perspectives. From considering the role that art works play in revealing local environmental problems such as biodiversity, public transportation and energy issues, to examining the way in which artists and art works enrich our multidimensional understanding of culture and sustainable development, Form, Art and the Environment advocates the inestimable value of art as an expressive force in promoting sustainable culture and conscious development. Utilising a broad range of case studies and analysis from a body of work collected through the international environmental COAL prize, this book examines the evolution of the relationship between culture and the environment.

This book will be of interest to practitioners of the environmental arts, culture and sustainable development and students of Art, Environmental Science, and International Policy and Planning Development.

 

chapter |8 pages

Introduction

part |2 pages

Part I Metamorphosis: art and the environment

chapter 1|17 pages

Expeditions, Earth and an emerging ecology

chapter 2|10 pages

State of the art

chapter 3|25 pages

Mysteries, tensions, questions

part |2 pages

Part II Deciphering emerging forms

chapter 4|8 pages

Three green threads

chapter 5|10 pages

Towards a new epistemology

part |6 pages

Part III Experiencing the living and arts transformation

chapter 6|8 pages

Depictions of the living

chapter 7|12 pages

An aesthetic of repair

chapter 8|8 pages

The demiurgic gesture

part |2 pages

Part V Re-embedding forms: a transformed public

chapter 12|9 pages

Deception: Dada to Smithson

chapter 14|9 pages

Passive audience/acting public

part |2 pages

Part VI Markets to micro-utopias: contextualising values

chapter 15|11 pages

The contextualisation of value

chapter 16|7 pages

The great divide: artist and art

chapter 17|13 pages

Micro-utopias: value scales