ABSTRACT

Belgian Museums of the Great War: Politics, Memory, and Commerce examines the handling of the centennial of World War I by several museums along the Western Front in Flanders, Belgium. In the twenty-first century, the museum has become a strategic space for negotiating ownership of and access to knowledge produced in local settings. The specific focus on museums and commemorative events in Flanders allows for an in-depth evaluation of how each museum works with the remembrance and tourist industry in the region while carving a unique niche. Belgian Museums of the Great War writes the history of these institutions, analyzes the changes made in advance of the anniversary years, and considers the site-specificity of each institution and its architectural frame. Since museums not only transmit information but also shape knowledge, as Eileen Hooper-Greenhill has noted, the diverse narratives and community programs sponsored by each museum have served to challenge prior historiographies of the war. Through newly revamped interactive environments, self-guided learning, and an emphasis on the landscape, the museums in Flanders have a significant role to play in the ever-changing dialogue on the meaning of the history and remembrance of the Great War.

chapter 1|17 pages

Introduction

Poppies

chapter 2|8 pages

What remains of the country

The war in Belgium

chapter 3|35 pages

Planning the centennial

chapter 5|22 pages

Historical or memorial site

The museum as ruin

chapter 6|32 pages

Immersion

Trench and reenactment strategies

chapter 7|36 pages

Expression and document

Art in the war museum

chapter 8|33 pages

The exhibition narrative

An object-centered practice

chapter 9|28 pages

Conclusion

Tourism and remembrance