ABSTRACT

Collaboration in the arts is no longer a conscious choice to make a deliberate artistic statement, but instead a necessity of artistic survival. In today’s hybrid world of virtual mobility, collaboration decentralizes creative strategies, enabling artists to carve new territories and maintain practice-based autonomy in an increasingly commercial and saturated art world. Collaboration now transforms not only artistic practices but also the development of cultural institutions, communities and personal lifestyles.
 
This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice. It draws on an emerging generation of contributors—from the arts, art history, sociology, political science, and philosophy—to engage directly with the diverse and interdisciplinary nature of collaborative practice of the future.

chapter |8 pages

Introduction

Collaborative Art in the Twenty-First Century

section I|53 pages

Collaboration in the Age of Technological Innovation

chapter 1|14 pages

Pirate Film Societies

Rearranging Traditional Apparatus with Inappropriate Technology

chapter 3|18 pages

Hybrid Modes of Collaborations in the Post-Socialist Context

The Socio-Politically Engaged Art Practices of Big Hope and Matei Bejenaru

section II|51 pages

Collaboration and the Identity Crisis

section III|81 pages

Rethinking Collaborations

chapter 10|15 pages

Sisterly Love

The Collaborative Art of Sisters

chapter 11|9 pages

Future Calls the Dawn

chapter 12|11 pages

Unsettling Action and Text

A Collaborative Experience

chapter 13|14 pages

The Politics of Collaboration

Robin Rhode and the Drowned Piano

chapter 14|13 pages

Wedge

A Cross-Disciplinary Collaboration by Janine Antoni and Jill Sigman

chapter 15|8 pages

Combination, Collaboration, and Creation

The Case of Jasper Johns

chapter 16|10 pages

Gathering

Artistic Collaborations in Glass