ABSTRACT
One of architecture's foundational assumptions is that the more architects exert authorial control over the design of their buildings, the better the buildings will turn out. Throughout history, architects have devised ways to minimize unpredictability in their work. Drawing and modeling emerged as a way to test assumptions and ultimately communicate expectations during the construction phase of a project. Because of the building's scale, its spatial sophistication, and its material complexity, and because of Raphael's lack of architectural experience, drawing emerged as the way to accurately describe the design of the cathedral. The sixteenth century saw the measured architectural drawing (plan, elevation, section) develop into the primary means of communication between architect and builder (Kostof). Architects exert more control than ever before. This increase of control, with an emphasis on greater precision and predictability, has clear advantages. Two recent projects, VarVac (Variable Vacuum Forming) Wall, and Pulp Wall investigate the role of material behavior in design process.
