ABSTRACT
In general, what most characterised the period was the propensity of these peoples to have material cultures and styles (esp. of pottery, metallurgy, weaving, carving) that were very different from their regional neighbours. In all of the cultures, artisans made technically sophisticated items for the display of distinctive social statuses and identities and as offerings to the esteemed deceased. Most of the fi nely made materials of the period were made as elite or noble prerogatives. Each of the cultures expressed very different worldviews through their art and culture. One commonality, however, was that they all rapidly evacuated and transformed earlier Chavín imagery and stylistic conventions. Also, all throughout Chavín’s former domain, groups no longer traded for formerly sought-after objects and materials. Fewer groups were able to acquire rare exotic items, and stylistic interactions became much less pronounced.
