ABSTRACT

Design plays an increasingly larger role today in creating consumer desire for products and liking for commercial messages. However, the psychological processes involved are only partially understood. In addition, design is inherently interdisciplinary, involving (among others) important elements of aesthetics, anthropology, brand strategy, creativity, design science, engineering, graphic design, industrial design, marketing, material science, product design, and several areas within psychology. While researchers and practitioners in all of these fields seek to learn more about how and why "good" design works its magic, they may benefit from each other’s work. The chapters in this edited book bring together organizing frameworks and reviews of the relevant literatures from many of these contributing disciplines, along with recent empirical work. They cover relevant areas such as embodied cognition, processing fluency, experiential marketing, sensory marketing, visual aesthetics, and other research streams related to the impact of design on consumers. Importantly, the primary focus of these chapters is not on product design that creates functional value for the targeted consumer, but rather on how design can create the kind of emotional, experiential, hedonic, and sensory appeal that results in attracting consumers. Each chapter concludes with Implications for a theory of design as well as for designers.

part |59 pages

Embodied Design

part |144 pages

Designing Product Features

chapter |12 pages

Blue-Washing the Green Halo

How Colors Color Ethical Judgments

chapter |16 pages

Color Design and Purchase Price

How Vehicle Colors Affect What Consumers Pay for New and Used Cars

chapter |16 pages

Curvature from all Angles

An Integrative Review and Implications for Product Design

chapter |14 pages

Beyond Beauty

Design Symmetry and Brand Personality

chapter |16 pages

Dominant Designs

The Role of Product Face-Ratios and Anthropomorphism on Consumer Preferences

chapter |17 pages

The Aesthetics of Brand Name Design

Form, Fit, Fluency, and Phonetics

part |94 pages

Underlying Processes

chapter |16 pages

Processing Fluency of Product Design

Cognitive and Affective Routes to Aesthetic Preferences

chapter |18 pages

Aesthetic Principles of Product Form and Cognitive Appraisals

Predicting Emotional Responses to Beauty

chapter |12 pages

Good Aesthetics is Great Business

Do We Know Why?

chapter |11 pages

Change is the Only Constant

Advertising, Design, and the Effects of Nonconscious Change

part |45 pages

Design Methods