ABSTRACT
This chapter argues that Gilgamesh is considered through his identification as a warrior and a hero. It considers the hero’s character in the context of his superlative deeds. In narrative literature and material culture, Gilgamesh is depicted fighting extraordinary battles against exceptional opponents. The chapter explores the presentation of warfare and warriors in Gilgamesh, it is useful to consider the role of war in Mesopotamia more broadly. Battle in ancient Mesopotamia was connected to religion on multiple levels. The prominence of scenes of warfare in various types of Mesopotamian media might give rise to the assumption that ancient Mesopotamian epic literature glorifies battle. Gilgamesh’s identity as a warrior is informed by his role as king of Uruk, and the responsibilities of kingship carried with them the benefit of especially close divine connections. The diversity of divine views surrounding warfare found in the broader context of Mesopotamian literature can also be seen in the Epic of Gilgamesh.
