ABSTRACT
This chapter explores place, absence, conflict and connection, before venturing into the realm of revolution, in order to discover how identity politics shape Looney Tunes. It examines the rise of the Warner Bros. animation wing, the artists and animators who transformed it and the 2D stars who became a mirror to society and industry. The chapter discusses the production process of the studio and highlights how identities were formed within the Warner Bros animation filmography. Migration defines US animation during the 1930s, and is a signpost for identity. Identity is a shape-shifter within animation and particularly when applied to the likes of Bugs and Daffy. Identity ignites and becomes a driver for Looney Tunes and characters exist both within and beyond the frame. Empathy for the character points to a clearer connection with the audience and Dodd stresses the 'real' as opposed to repeated performances.
