ABSTRACT

Spaces for Feeling explores how English and Scottish people experienced sociabilities and socialities from 1650 to 1850, and investigates their operation through emotional practices and particular spaces. The collection highlights the forms, practices, and memberships of these varied spaces for feeling in this two hundred year period and charts the shifting conceptualisations of emotions that underpinned them.

The authors employ historical, literary, and visual history approaches to analyse a series of literary and art works, emerging forms of print media such as pamphlet propaganda, newspapers, and periodicals, and familial and personal sources such as letters, in order to tease out how particular communities were shaped and cohered through distinct emotional practices in specific spaces of feeling. This collection studies the function of emotions in group formations in Britain during a period that has attracted widespread scholarly interest in the creation and meaning of sociabilities in particular. From clubs and societies to families and households, essays here examine how emotional practices could sustain particular associations, create new social communities and disrupt the capacity of a specific cohort to operate successfully.

This timely collection will be essential reading for students and scholars of the history of emotions.

chapter |11 pages

Introduction

chapter 1|23 pages

‘At my mother's house'

Community and household spaces in early eighteenth-century Scottish infanticide narratives 1

chapter 2|17 pages

The mysteries of popery unveiled

Affective language in John Coustos's and Anthony Gavín's accounts of the Inquisition

chapter 3|27 pages

Renovating affections

Reconstructing the Atholl family in the mid-eighteenth century

chapter 4|16 pages

Bringing order to the passions

Eliza Haywood's fiction, 1719 and 1748

chapter 5|17 pages

Marginal households and their emotions

The ‘kept mistress' in Enlightenment Edinburgh

chapter 6|25 pages

‘Strolling Roxanas'

Sexual transgression and social satire in the eighteenth century

chapter 7|22 pages

Weeping in space

Tears, feelings, and enthusiasm in eighteenth-century Britain

chapter 8|26 pages

Hazlitt on gesture and hybrid emotions

Individuality and community in the Maidstone self-portrait and ‘Fonthill Abbey'

chapter 9|17 pages

Faces that speak

A little emotion machine in the novels of Jane Austen

chapter 10|21 pages

Feeling in the wynds

Media representation of affective practices in urban Scotland in the first half of the nineteenth century