ABSTRACT
Theatre artists agree that for a standard public Play Reading, simpler is better. In these Readings, actors often do not look up from their scripts or attempt to connect with their fellow actors. They are usually seated in chairs and do not change locations during the Reading. The pace and rhythm of the play are consistently maintained. There are no unnecessary pauses and no risk of paraphrasing. Actors are unencumbered with movement and physicality, allowing for complete concentration on the text. Ian Morgan, Associate Artistic Director, New GroupA line of music stands can feel like a barricade, and makes it difficult to have a sense of intimacy at a reading. Daniella Topol, Director Actors in a reading shouldn't disengage with the text in an effort to engage with the other actors. Lisa Rothe, Director Good readings are very simply presented, with the focus on the text. Less successful readings incorporate too many elements of staging that distract from the text.
