ABSTRACT

In this challenging book, first published in 1987, Michelene Wandor looks at the best-known plays in the thirty years prior to publication, from Look Back in Anger onwards. Wandor investigates the representation of the family and different forms of sexuality in these plays and re-reviews them from a perspective that throws into sharp relief the function of gender as an important determinant of plot, setting and the portrayal of character. Juxtaposing the period before 1968, when statutory censorship was still in force, with the years following its abolition, Wandor scrutinises the key plays of, among others, Osborne, Pinter, Wesker, Arden, and Delaney. Each one is analysed in terms of its social context: the influence of World War II, the testing of gender roles, the development of the Welfare State and changes in family patterns, and the impact of feminist, Left-wing and gay politics.

Throughout the period, two generations of playwrights and theatregoers transformed the theatre into a forum in which they could articulate and explore the interaction of their interpersonal relationships with the wider political sphere. These changes are explored in this title, which will allow readers to re-evaluate their view of post-war British drama.

part |85 pages

Part One

chapter |5 pages

After the War was Over

chapter |11 pages

Heroism, Crises of Manhood and the Kitchen Sink

Look Back in Anger and A Patriot For Me by John Osborne

chapter |10 pages

The Jewish Family, Women and Politics

The Wesker Trilogy

chapter |5 pages

The State, Communication and Gender

Waiting for Godot by Samuel Beckett The Room and The Birthday Party by Harold Pinter

chapter |5 pages

Militarism and the Outside World

Serjeant Musgrave's Dance by John Arden

chapter |11 pages

Motherhood and Masculinity

A Taste of Honey by Shelagh Delaney; The Sport of My Mad Mother and The Knack by Ann Jellicoe

chapter |5 pages

Women and Emancipation

Each His (sic) Own Wilderness and Play with a Tiger by Doris Lessing

chapter |4 pages

Anarchy, the Family and Taboo Sexuality

Entertaining Mr Sloane and Loot by Joe Orton

chapter |3 pages

Urban Violence

Saved by Edward Bond

chapter |6 pages

Homosexuality: Metaphor and Theme

The Killing of Sister George by Frank Marcus and Staircase by Charles Dyer

chapter |3 pages

The Story So Far

Part One

part |15 pages

Interval

chapter |13 pages

‘The Royal Smut-Hound'

by Kenneth Tynan

part |68 pages

Part Two

chapter |2 pages

The Changing Landscape

The End of Censorship, New Politics and Imaginations

chapter |4 pages

Mother on a Pedestal – a Doubtful Chivalry

The Mother by Bertolt Brecht

chapter |6 pages

Transitional Pioneers

Vagina Rex and the Gas Oven by Jane Arden Rites by Maureen Duffy

chapter |8 pages

Sex, Violence and the Psyche

A CID C by Heathcote Williams Lay-By by Howard Brenton, Brian Clark, Trevor Griffiths, David Hare, Stephen Poliakoff, Hugh Stoddart, Snoo Wilson Occupations by Trevor Griffiths

chapter |7 pages

Satire, Creativity and Annihilation

Slag and Teeth ‘n' Smiles by David Hare

chapter |3 pages

The Taboo as Metaphor

The Romans in Britain by Howard Brenton

chapter |7 pages

Existential Women

Owners and Top Girls by Caryl Churchill

chapter |9 pages

The British Left

Destiny and Maydays by David Edgar

chapter |9 pages

Institutional Power and Male Sexuality

Operation Bad Apple by G. F. Newman Tibetan Inroads by Stephen Lowe Bent by Martin Sherman

chapter |7 pages

Woman as Subject

Once a Catholic by Mary O'Malley Piaf by Pam Gems Steaming by Nell Dunn

chapter |4 pages

The Story So Far

Part Two

chapter |10 pages

Conclusion