ABSTRACT

First published in 1987, this is an introductory study of the most widely read Canadian women novelists of the 1970s and 1980s. At its centre lies the question of how the search for a distinctive cultural identity relates to the need for a national cultural identity in the post-colonial era. Coral Ann Howells argues that Canadian women’s fiction throughout the period of study represents how the Canadian cultural identity exceeds its geographical limits, and those traditional structures of patriarchal authority need revision if women’s alternative views are to be taken into account. Including short biographical sketches and a complete list of the books published by the authors under discussion, writers examined include Margaret Atwood, Alice Munro, and Margaret Laurence.

chapter |10 pages

Introduction

chapter |22 pages

Canadianness and women's fiction

chapter |20 pages

Margaret Laurence

A Bird in the House, the Diviners

chapter |18 pages

Margaret Atwood

Bodily Harm, the Handmaid's Tale

chapter |18 pages

Alice Munro

Lives of Girls and Women, the Beggar Maid

chapter |17 pages

Mavis Gallant

Home Truths

chapter |33 pages

Marian Engel Joy Kogawa Janette Turner Hospital

Bear Obasan The Ivory Swing

chapter |18 pages

Audrey Thomas Joan Barfoot

Latakia Dancing in the Dark

chapter |26 pages

Marie-Claire Blais Anne Hébert

Les Nuits de L'underground / Nights in the Underground Héloïse

chapter |5 pages

Conclusion