ABSTRACT

This book provides a comprehensive compilation of essays on the relationship between formal experimentation and ethics in a number of generically hybrid or "liminal" narratives dealing with individual and collective traumas, running the spectrum from the testimonial novel and the fictional autobiography to the fake memoir, written by a variety of famous, more neglected contemporary British, Irish, US, Canadian, and German writers.

Building on the psychological insights and theorizing of the fathers of trauma studies (Janet, Freud, Ferenczi) and of contemporary trauma critics and theorists, the articles examine the narrative strategies, structural experimentations and hybridizations of forms, paying special attention to the way in which the texts fight the unrepresentability of trauma by performing rather than representing it. The ethicality or unethicality involved in this endeavor is assessed from the combined perspectives of the non-foundational, non-cognitive, discursive ethics of alterity inspired by Emmanuel Levinas, and the ethics of vulnerability. This approach makes Contemporary Trauma Narratives an excellent resource for scholars of contemporary literature, trauma studies and literary theory.

chapter |18 pages

Introduction

Performing the Void: Liminality and the Ethics of Form in Contemporary Trauma Narratives

part |68 pages

Ethics and Generic Hybridity

chapter |15 pages

Learning from Fakes

Memoir, Confessional Ethics, and the Limits of Genre 1

chapter |17 pages

“… With a foot in both worlds”

The Liminal Ethics of Jenny Diski's Postmodern Fables

chapter |17 pages

Witnessing without Witnesses

Atwood's Oryx and Crake as Limit-Case of Fictional Testimony

chapter |17 pages

“I do remember terrible dark things, and loss, and noise”

Historical Trauma and Its Narrative Representation in Sebastian Barry's The Secret Scripture 1

part |69 pages

Ethics and the Aesthetics of Excess

part |73 pages

Ethics and Structural Experimentations

chapter |17 pages

Family Archive Fever

Daniel Mendelsohn's The Lost

chapter |17 pages

The “Roche Limit”

Digression and Return in W. G. Sebald's The Rings of Saturn

chapter |17 pages

“Separateness and Connectedness”

Generational Trauma and the Ethical Impulse in Anne Karpf's The War After: Living with the Holocaust 1