ABSTRACT

So far we’ve been looking at digital images from a purely technical point-of-view, which is important — if you don’t master the technical side of imagemaking, the odds of creating powerful and meaningful shots is slim at best. Now it’s time to start thinking creatively, but first a bit more on the technical side — a look at the tools we have available to control images. In front of the camera:

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In the camera: t&YQPTVSF t'SBNFSBUF t4IVUUFSTQFFE t4IVUUFSBOHMF t(BNNB t8IJUFCBMBODF t$PMPSTQBDF t,OFFDPOUSPM t#MBDLTUSFUDI t.BUSJY

And of course, in shooting film, you have the option of choosing the film stock and perhaps altering the processing and changing the look by color correcting during printing. These options are not only available (in dierent form) when shooting HD or Ultra HD video, we now actually have much more control than before.