ABSTRACT
The published criticism of the novel has generally ignored the homo erotic component of Absalom, Absalom/; the first mention of the theme occurred in 1955 when Ilse Dusoir Lind wrote:
Shreve, whose youthful curiosity and romanticism make him a suitable collaborator in the Bon-Henry legend, projects the frater nal affection, mildly homosexual in basis, which exists between his roommate and himself.3