ABSTRACT
Lesbian dance performance has to come to terms with the cultural invisibility of the lesbian body, and the dichotomy of traditional gender representation. This paper charts strategies for the play with the invisible, the grotesque and the liminal in the dance performance of three UK-based choreographers: Emilyn Claid, Yael Flexer and Kate Lawrence. Their performances create tension between the role and the body, between the public and the private, and it is this tension that points towards alternative representational strategies. [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: getinfo@haworthpressinc.com]
