ABSTRACT
This chapter focuses on dramatic literature and theatrical performance of Shakespearian play. Hamlet's talk with Ophelia, which he has just overheard from his place of spying, has finally convinced him that the Prince is suffering from the disease of ambition, and that the disease may prove dangerous to the reigning monarch. It assuming his antic disposition consciously and of set purpose. Hamlet is a patron of the stage, like Southampton, Essex, and other of Shakespeare's friends at Elizabeth's court. The court enters for the play, and Hamlet and Horatio hurriedly break off their colloquy, Horatio taking up a place close to the seat in which Ophelia will afterwards sit, Hamlet remaining in the centre of the stage to receive the King and Queen, as befits the host. The vicissitudes of Hamlet's mood are mirrored in theirs. Hamlet's first thoughts are of his amazing dramatic success, exceeding his wildest dreams. It is only afterwards that he remembers his uncle.
