ABSTRACT

Dissident Writings of Arab Women: Voices Against Violence analyzes the links between creative dissidence and inscriptions of violence in the writings of a selected group of postcolonial Arab women.

The female authors destabilize essentialist framings of Arab identity through a series of reflective interrogations and "contesting" literary genres that include novels, short stories, poetry, docudramas, interviews and testimonials. Rejecting a purist "literature for literature’s sake" ethic, they embrace a dissident poetics of feminist critique and creative resistance as they engage in multiple and intergenerational border crossings in terms of geography, subject matter, language and transnationality. This book thus examines the ways in which the women’s writings provide the blueprint for social justice by "voicing" protest and stimulating critical thought, particularly in instances of social oppression, structural violence, and political transition.

Providing an interdisciplinary approach which goes beyond narrow definitions of literature as aesthetic praxis to include literature’s added value as a social, historical, political, and cultural palimpsest, this book will be a useful resource for students and scholars of North African Studies, Postcolonial Studies, Francophone Studies, and Feminist Studies.

chapter |23 pages

Introduction

Inscribing violence: dissident contexts in Arab women's writing from North Africa and the diaspora

part 1|61 pages

Violence and war

chapter 1|59 pages

Contesting violence and imposed silence

The creative dissidence of contemporary Francophone Algerian women writers

part 2|103 pages

Violence and social/sexual oppression

chapter 2|19 pages

Sexual violence and testimony

The language of pain in Aïcha Ech-Channa's Miseria: témoignages

chapter 3|43 pages

Gendering the Straits

Border violence in Laila Lalami's Hope and Other Dangerous Pursuits and Lamiae El Amrani's Tormenta de especias (A Torrent of Spices)

chapter 4|39 pages

Writing from the banlieue

Identity, contested citizenship and gender ideologies in Faïza Guène's Kiffe-kiffe demain

part III|67 pages

Staging violence in North African women's theatre

chapter 5|25 pages

Madness as political dissent in Jalila Baccar's Junun

Scene one – Tunis

chapter 6|35 pages

The darker side of Tahrir in Laila Soliman's No Time for Art and Blue Bra Day

Scene two – Tahrir Square, Cairo

chapter |5 pages

Conclusion

Dissident reflections: an anti-conclusion