ABSTRACT

Theatre Design involves everything seen on stage: not only scenery but costumes, wigs, makeup, properties, lighting, sound, even the shape and material of the stage itself. Designers’ Shakespeare presents and analyses the work of a half-dozen leading practitioners of this specialist art. By focusing specifically on their Shakespearean work, it also offers a fresh, exciting perspective on some of the best-known drama of all time.

Shakespeare’s plays offer an unusual range of opportunities to designers. As they were written for a theatre which gave no opportunity for scenic support or embellishment, designers are freed from any compulsion to imitate original practices. This has resulted in the extraordinarily diverse range of works presented in this volume, which considers among others the work of Josef Svoboda, Karl-Ernst Herrmann, Ming Cho Lee, Alison Chitty, Robert Wilson, Societas Raffaello Sanzio, Filter Theatre, Catherine Zuber, John Bury , Christopher Morley, Ralph Koltai and Sean Kenny.

Designers’ Shakespeare joins Actors’ Shakespeare and Directors’ Shakespeare as essential reading for lovers of Shakespeare from theatre-goers and students to directors and theatre designers.

chapter 2|26 pages

“Here is my space”

Josef Svoboda's Shakespearean imagination

chapter 3|16 pages

Scenography at the Royal Shakespeare Company 1963–1968

Towards an empty space

chapter 4|27 pages

Karl-Ernst Herrmann

Unfolding Shakespeare's space

chapter 5|21 pages

Ming Cho Lee

chapter 7|19 pages

Robert Wilson

chapter 8|15 pages

The form of (her) intent

Catherine Zuber's costume design for Nicholas Hytner's Twelfth Night (1998)

chapter 9|18 pages

Designing sound for Shakespeare

Connecting past and present

chapter 10|25 pages

Beyond Language

Performing “true-meant design;” 1 “that risky and dangerous negotiation between a doing … and a thing done” 2

chapter |3 pages

Afterword