ABSTRACT

Documentary filmmaking is one of the most vibrant areas of media activity in the Chinese world, with many independent filmmakers producing documentaries that deal with a range of sensitive socio-political problems, bringing to their work a strongly ethical approach. This book identifies notable similarities and crucial differences between new Chinese-language documentaries in mainland China and Taiwan. It outlines how documentary filmmaking has developed, contrasts independent documentaries with dominant official state productions, considers how independent documentary filmmakers go about their work, including the work of exhibiting their films and connecting with audiences, and discusses the content of their documentaries, showing how the filmmakers portray a wide range of subject matter regarding places and people, and how they deal with particular issues including the underprivileged, migrants and women in an ethical way. Throughout the book demonstrates how successful Chinese-language independent documentary filmmaking is, with many appearances at international film festivals and a growing number of award-winning titles.

chapter 1|20 pages

Introduction

New Chinese-language documentaries

part I|37 pages

History and politics

part II|40 pages

Theory and ethics

chapter 5|20 pages

Subject to movement

Wu Wenguang and the ethics of self

part III|34 pages

Subject and gender

chapter 7|16 pages

The other as interlocutor

“Voices of the people” in Taiwan's documentaries

part IV|35 pages

Place and migration

chapter 8|18 pages

Empowering place

Jia Zhangke's post-nostalgic assemblage of Shanghai

part V|38 pages

Exhibition and circulation