ABSTRACT

Made in Latin America serves as a comprehensive introduction to the history, sociology, and musicology of contemporary Latin American popular music. Each essay, written by a leading scholar of Latin American music, covers the major figures, styles, and social contexts of popular music in Latin America and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music, followed by essays organized into thematic sections: Theoretical Issues; Transnational Scenes; Local and National Scenes; Class, Identity, and Politics; and Gendered Scenes.

chapter |22 pages

Introduction

Debating Genre, Class and Identity: Popular Music and Music Scenes from the Latin American World

part I|24 pages

Music Scenes and Historical Issues

chapter 1|12 pages

The Carpas Shows in Mexico City (1900–1930)

An Ethno-Historical Perspective to a Musical Scene

part II|30 pages

Imaginaries, Identity, and Politics

chapter 3|15 pages

Representing Ayacucho

Music, Politics, Commerce, and Identity in an Andean Music Scene in Lima

chapter 4|13 pages

Imagining Traditions

Performance and Social Imagination in the Urban Cueca Scene in Santiago de Chile (2000–2010)

part III|34 pages

Cumbia, Class, and Nation

chapter 5|10 pages

“Cumbia, Nena”

Cumbia Scene, Gender, and Class in Argentina

chapter 6|10 pages

The Ecuadorian Popular Music Scene in Quito

Contesting the National Imaginary

chapter 7|12 pages

Chicha Music, Urban Subalternity, and Cultural Identities in Peru

Construction of the Local and Translocal Scene

part IV|36 pages

Global Flows

chapter 8|12 pages

Merengue on the Move

Making Music, Place, and Community in the Típico World

chapter 9|10 pages

The Geopolitics of Queer Tango

From Buenos Aires to a Community of Translocal Practice

chapter 10|12 pages

Otavalan Transnational Music-Making

The Andean Music Scene in Japan

part V|25 pages

Beyond Music Scenes

chapter 11|11 pages

Voice in Fernando Ortiz

Tools for Rethinking the Notion of Scene

chapter 12|5 pages

Epilogue

Reconsidering Music Scenes from a Latin American Perspective

chapter 13|7 pages

Afterword

“We Live in Mixture, and are Constantly Mixing Together our Musical Expressions” A Conversation with Susana Baca, Peruvian Singer and Former Minister of Culture